HOLOTOPIA contemporary experimental music festival intercommunication project at Punta Campanella
The HOLOTOPIA
Experimental Contemporary Music Festival was imagined to happen
at one of the most formidable and unforgettable places of the
world. It is the Campanella, site knew by Homer and by him included
in the Odyssey, when Ulysses faced the sirens. But it is also
a place that conquered, in definitive terms, Richard Lion's Heart,
when he went to combat Saladino.
Between Naples and Salerno, Richard lived some of his most peaceful
and enchanted days, even delaying his departure to the Middle
East, so amazed he was with the region.
From the high lands, together the profound sea, turned to the
magical islands of Capri, aside the majestic renaissance tower,
a world opened to the infinite sky, in the centre of Nature, it
is created a festival that is oriented to the contemporary music
always with a powerful transmediatic approach.
Future and past.
Technology and Nature.
Thus, the historical, geographical and physical characters of
the place itself designate the basis for the festival.
Claude Levi-Strauss defended that all sacred has its place.
The HOLOTOPIA Experimental Contemporary Music
Festival, at the Campanella, between Naples and Salerno, is structured
by the most advanced technology and by the intransigent defence
of the human values; by a new music emerging in the planet, a
music made by composers that choose the silence, the non participation
in a world full of corruption, composers who choose to act in
a path of sanity, friendship, dedication and love for the art
and the Humanity - as, always sagely, has been defended by Lucrezia
De Domizio Durini.
The Festival also is characterised by a civilisational opening
to the most different cultures, to the most diverse places and
societies, like a window opened to everything.
Three main signs design the Festival: transmedia, transculture
and transdiscipline. Where the particle trans indicates the spirit
of intercommunication.
It does not matter if we are dealing with old or young, from this
or that planetary region.
Neither races, beliefs, religions - the important is diversity,
the clear cultural critic, the risk, the experience, the intercommunication.
HOLOTOPIA was born after an invitation
by Dr. Alberto del Genio, one of the most celebrated scientists,
who has dedicated his life to the researches on the digestive
system, but also a lover of all arts - ancient and contemporary.
Dr.Alberto del Genio
A person with a great sensitivity and love for the Humanity -
someone turned both to the past and to the future.
The visual curator is Lucrezia De Domizio Durini, a worldwide
famous cultural operator, who collaborated with Joseph Beuys for
about twenty years.
Magnificent personage of the world art and culture, author of
fifty seven contemporary art books, having already made the most
intriguing and fascinating projects in many of the most important
museums and art places of the world, Lucrezia De Domizio, Baroness
Durini, is not only a marvellous curator. She also gives to the
Festival much of its character, much of its life, of its fundamental
ideas, of the programmatic coherence. Without any doubt, she represents
much of the soul of the whole event. Lucrezia De Domizio,
Baroness Durini
As the first music festival of the Campanella, HOLOTOPIA born in the twentieth anniversary of the Joseph
Beuys' masterwork Difesa Della Natura - Bolognano May 13, 1984
- Campanella July 21, 22 and 23, 2004 - with various events to
celebrate the legendary German master.
A Festival made as a place for reflection, a dive into the deepest
waters of the civilisational spirit, a meeting point to be happen
every year, engaging people, cultures, values, like a powerful
HOLOTOPIA, from which new waves, new planetary
references will emerge.
Emanuel Dimas
de Melo Pimenta
Naples, 2004
ASA Art and Technology UK London